Fast turnaround just got a whole lot faster with new intelligent encoding capabilities in latest Vantage developmentsRead More
Planar Systems unveiled the next-generation of its Planar® UltraRes™ Series 4K LCD display line, designed for ultra-high resolution commercial applications.
The latest Planar UltraRes Series design combines the best of the current models with new features inspired by customers and trends in the emerging 4K ecosystem. The next-generation models also retain many of the high-value features offered by the industry-acclaimed first-generation Planar UltraRes Series, including stunning Ultra HD image performance, the ultra-slim Planar® Profile™ Mounting System, efficient power management and optional multi-touch interactivity.
Available in 98-inch, 84-inch and a new 75-inch diagonal, the latest generation of Planar UltraRes Series includes built-in Planar® MediaPlex™ Plus Processing for enhanced versatility and control of multi-source viewing. It also offers cutting-edge video performance with support for native 4K resolution at up to 60Hz that can be driven via single-cable HDMI 2.0 or DisplayPort 1.2.
“The breakthrough enhancements of the Planar UltraRes Series will revolutionize the way 4K displays are used for professional visualization, collaboration and presentation,” said Jennifer Davis, vice president of marketing and product strategy for Planar Systems. “Never before have customers had access to this level of 4K video performance and built-processing in a line-up of displays designed for the rigors of a commercial environment.”
The Planar UltraRes Series is designed for professionals in a wide variety of commercial uses who require a large viewing area, very high pixel density and enterprise-level features that allow teams to collaborate around highly immersive and detailed visual information. It is also ideal as high-impact, interactive digital signage in diverse settings such as retail stores, corporate lobbies, airports and museums.
The next-generation Planar UltraRes Series benefits include:
- Advanced multi-source viewing: The new Planar UltraRes Series displays come standard with integrated Planar MediaPlex Plus Processing, allowing multiple sources to be viewed simultaneously and managed more efficiently. Multiple sources can be viewed in dual, triple, quad or picture-in-picture (PiP) layouts. Images can be precisely controlled and adjusted, and content can be scaled up and down within any layout. In addition, users can save, recall and schedule preset configurations.
- Cutting-edge and future-proofed video performance: Leveraging advancements in UHD video capture and playback sources, the Planar UltraRes Series has been designed to support native UHD resolution at up to 60Hz with HDMI 2.0 and DisplayPort 1.2, enabling smooth motion video and mouse tracking. It is also compliant with the HDCP 2.2 hardware encryption specification for compatibility with future 4K sources.
- Embedded flexibility with OPS: The Planar UltraRes Series includes a built-in expansion slot that supports Intel’s Open Pluggable Specification (OPS). This makes the display compatible with any OPS module, including the new Planar® ContentSmart™ 4K Media Player which helps users design, manage and playback digital signage content.
- Easier installation and access: The optional Planar® Profile™ Mounting System has been enhanced to enable even easier installation and access to inputs. The mounting system provides a front service access mode and offers the slimmest mounted profile in the industry, meeting rigorous Americans with Disabilities Act (ADA) accessibility guidelines in buildings and facilities.
- Integrated multi-touch functionality: The new Planar UltraRes Touch models with in-bezel touch technology offer a sleeker installation, sunlight rejection, greater accuracy and are easy to set-up with plug-and-play HID-compliance. Planar UltraRes Touch displays support up to 32 simultaneous touch points and are ideal for multi-user applications.
- Advanced energy efficiency and ruggedness: The latest generation Planar UltraRes Series comes with redundant power supply for continuous operation, a fan-less, whisper-quiet design and advanced energy efficiency that utilizes edge-lit LED technology and passive cooling. It is available with optional Planar® Extended Ruggedness and Optics™ (ERO™) technology, which utilizes a protective glass bonded to the front surface of the display to protect the LCD from damage in high-traffic environments and improve the contrast when compared to other protective glass options.
- Multi-source viewing management from mobile devices: The updated Planar® UltraRes™ App for iOS and Android enables simplified on-the-fly switching of layouts and sources from a phone or tablet. It is available for free download from the Apple App Store or Google Play.
—Expected to be the widest adopted IP standard on the market at launch in Q4—
SAN ANTONIO, September 8, 2015 — NewTek™ today announced Network Device Interface (NDI), a new open standard for live production IP workflows over Ethernet networks. NDI allows multiple video systems to identify and communicate with one another over IP, and to encode, transmit and receive many streams of high quality, low latency, frame-accurate video and audio in real-time. This new protocol can benefit any network-connected video device, including video mixers, graphics systems, capture cards, and many other production devices. NDI connectivity will be available in Q4 as a royalty free software developer kit (SDK) for anyone wanting to enable IP workflows in their facilities, or in production devices and systems they manufacture.
“The move to IP for professional video production will unquestionably be among the most revolutionary and transformative changes of the decade. We are very excited to be opening our network protocols so that the entire industry can benefit from them,” said Dr. Andrew Cross, NewTek’s president and CTO. “At launch, NDI will work with applications from almost every major vendor and virtually every I/O card on the market, meaning that it will be broadly available for real-world production use starting in Q4 this year.”
NDI’s superb performance over standard GigE networks makes it possible to transition facilities to an incredibly versatile IP video production pipeline without negating existing investments in SDI cameras and infrastructure, or costly new high-speed network infrastructures. Leveraging more than a decade of NewTek experience with IP in the context of computer-based live video production workflows, NDI support at launch extends to well over 100,000 compatible systems already deployed worldwide, making it by far the most prolific IP video transfer method in the production market.
NewTek worked closely with a large number of top manufacturers and developers to allow IP connectivity between devices. NDI’s backwards compatibility means that along with NewTek products and systems from Brainstorm, CasparCG, CharacterWorks, ChyronHego, ClassX, Compix, EasyWorship, Gnural Net, Graphics Outfitters, LiveXpert, Media 5, PlayBox Technology, Teradek, Vizrt, Wasp3D and many more will be NDI-enabled on the day of launch. NewTek has also collaborated with AJA, DELTACAST and Matrox to enable their capture cards to act as NDI senders or receivers; support for Blackmagic Design cards will also be provided. Boland, JVC, LiveU, NewsMaker, Panasonic, PESA, Sienna and Wowza are also working on providing NDI-based solutions.
"IP-based workflows are without a doubt the future of video production, and we are excited to work with NewTek on opening the standards to allow any company or customer to change their workflow,” said Petter Ole Jakobsen, chief technology officer of Vizrt.
"IP-based workflows represent a very important arm of the future of video production and the prospect of a unified IP video system as represented by NewTek’s open NDI protocol is very exciting," said Nick Rashby, president, AJA Video Systems. “We're pleased that NewTek will be supporting NDI on all our KONA, CORVID and Io product lines, opening up opportunities for their customers and ours to use existing infrastructure to rapidly engage in new workflow opportunities almost immediately.”
Typically, SDI systems and other IP workflows that utilize point-to-point network connections are heavily dependent on expensive high-speed infrastructures. In contrast, NDI is a bi-directional standard that can operate over a GigE local area network, with many video streams on a shared connection. Its encoding algorithm is resolution and frame-rate independent, supporting 4K (and beyond) along with 16 channels (and more) of floating-point audio. The protocol also includes tools that implement video access rights, grouping, bi-direction metadata and IP commands.
Sending, finding and receiving any number of streams are supported through the NewTek SDK, which will be available license-free allowing anyone to use it. NewTek is collaborating with current and new customers, manufacturers and developers on the NDI standard. All interested parties are encouraged to contact NewTek directly via email at firstname.lastname@example.org or visit ndi.newtek.com.
GRASS VALLEY, CA, 1 September 2015 – Ensemble Designs, manufacturer of Video and Audio Routing, Processing, Display, and Effects Systems, is introducing the NXT 445 Streaming Encoder at IBC 2015.
A high quality, high profile, MPEG-4/H.264 Encoder, the BrightEye NXT 445 takes 3G/HD/SD SDI and delivers simultaneous IP and DVB-ASI streaming outputs. The web-enabled control port makes it easy to configure and monitor. Or use the live view front panel display and menu system for local control. The base NXT 445 also includes dual built-in TSGs, TCP, serial remote control and support for the 5835 Action Panel.
The base model NXT 445 is only the starting point. Additional functions can be added with field installable option licenses. Expand the number of inputs and outputs; add SFP ports for fiber and HDMI, and full routing with the 445K-IO license. The 445K-X license adds dual clean switching and Up/Down/Cross conversion. With the 445K-DEC license, an independent MPEG decoder is added to the product’s repertoire. The PiP-Efx license provides a flexible and configurable dual source Picture-In-Picture mode for lecture capture, corporate boardroom, or field news reporting. All of this functionality is seamlessly integrated in the NXT 445.
“The NXT 445 and the entire NXT product line is a game changer for our customers. The dramatic amount of money and space they are saving, along with the rich set of features that the NXTs offer is almost incomprehensible. Our biggest challenge has been to make people realize how much this product can actually do”. – Mondae Hott, Director of Sales, Ensemble Designs.
At only 1/3 of a rack unit, the NXT 445 offers an unprecedented level of flexibility and feature integration in a remarkably small package. This makes it a great choice for portable systems, news trucks and helicopters, remote studios, distance backhaul and more.
UK manufacturer GB Labs has announced the launch of a new very high specification tier 1 shared storage product that is designed to support the fastest possible file-based workflows. The arrival of Space+ with its very high capacity and superior performance will help prepare facilities for the roll-out of 4K and 8K networks. Innovations implemented by GB Labs include dual 40Gb Ethernet network adapters and massive 8TB disks, as well as the latest generation of ultra-high speed CPUs.
The net result of adopting these new technologies is a dramatic increases in networking speeds and higher capacity online and nearline storage. This tier 1 device now features a 128TB RAID storage; as such, a single nearline volume can now exceed 6PB. At the same time, advances in central processor units means that Space Plus can now deliver files to the network at 50% higher bitrates compared with its stablemate, Space. This enhanced performance and capacity allow for data rates suitable for online UHD editing.
“Next generation video formats need faster shared storage, higher capacity central arrays and greater network bandwidth. Technologies like dual 40GbE adapters and 8TB disks are vital to give UltraHD workgroups the scope to share files and work on projects collaboratively, direct from storage. We are proud to be among the industry’s leading innovators, with a reputation for deploying the very latest technologies and developing next-generation storage.” Commented Ben Pearce, Sales & Marketing Director at GB Labs.
For customers planning the transition to 4K workflows, GB Labs supplies Dual 10GbE adapters as standard. This gives users the option to install Space+ onto existing Ethernet networks, ready to upgrade in stages to faster data rates.
The use of HyperSpace in tandem with Space+ enables workgroups to complete the move to a completely online 4K workflow. HyperSpace is an SSD acceleration unit for Space HDD tier 1 storage arrays. Delivering in excess of 3000MB/s data rates to client workstations, it facilitates 4K project sharing without the need to replace cost-effective HDD media with an expensive all-SSD array. The system has already been adopted by the likes of Technicolor and US commercials house Drive Thru for use in its Flame and DaVinci workgroups.
BASINGSTOKE, UK – Test & Measurement leader, Omnitek begins worldwide shipping of the Ultra 4K Tool Box featuring the analysis, generation and conversion of UHDTV signals including the world’s very first 12G-SDI Physical Layer analysis
and generation toolset. The Tool Box is now in full production and shipping to satisfy the demand for 12G-SDI product design.
The Ultra has seen demand from many applications - Semiconductor FPGAs and 12G interface ICs, the world’s largest manufacturers of 6G and 12G SDI equipment, broadcasters, and system integrators across Europe, Asia, North America and Australia.
The Ultra supports SD through to 4K60 UHDTV via quad 3G, dual 6G, 12G-SDI and DisplayPort. The Ultra has recently seen the addition of a fully featured 12G-SDI Physical Layer toolset, the likes of which have hitherto only been seen on high-end oscilloscopes costing many hundreds of thousands of pounds. The Ultra, at a fraction of the cost, provides real-time 12G-SDI Eye with automatic rise & fall-time measurement, Jitter meters, waveform, histogram and Jitter spectrum analysis. On the generator side, output Jitter insertion, voltage control and slew-rate control are
supported – a comprehensive suite of tools essential for 4K product development. Full gearbox conversion between the Ultra’s I/O is provided, enabling for example, 4K60 over quad-link 3G Square Division to single-link 12G 2-Sample Interleave conversion. Ultra also offers SD to 4K moving test pattern uncompressed generation
For an overview of the Ultra, or a more comprehensive look at the Physical Layer toolset, bite-sized videos are available at www.omnitek.tv/ultraAbout Omnitek:
Omnitek was founded in 2001 specialising in video test and measurement equipment. The company is expert in Field Programmable Gate Array (FPGA) IP and in development boards. Omnitek works closely with manufacturers of video,
audio and storage products for broadcast, government, AV, events, military and telecoms and beyond. Omnitek offers an IP and design consultancy service which specialises in FPGA, electronics and software design for video and image processing applications in the broadcast, medical imaging, industrial and defence markets.
Through our industry associations we have many years of experience in the development and implementation of standards for test and measurement. Omnitek was awarded a Queen’s Award for Enterprise for Innovation in 2008.
If you would like to learn more about Omnitek please go to www.omnitek.tv
Nevada City, Calif., May 14, 2015 – Telestream®, a leading provider of video transcoding and workflow automation solutions for broadcast, cable, and broadband providers, will demonstrate the potential that its software platform offers to generate significant new revenue streams and increase operating efficiency at Broadcast Asia, in Techtel booth 5J3-03 in Singapore, June 2-5. Forming the centerpiece of its technology showcase, Telestream’s Vantage® media processing platform is the foundation for a broad range of enterprise-class software products that allow content owners, producers, and distributors to quickly, easily and efficiently ingest, edit, transform, package, monetize and distribute their media.
The Vantage platform is based on a flexible service-oriented architecture that is made up of discrete services and connectors that combine to create powerful automated workflows – all under unified system control. Vantage services provide transcoding, media capture, metadata processing, media analysis, and content assembly. Vantage connectors enable seamless, API-level integration with third-party systems.
Built on Vantage, Tempo is a new time adjustment solution for re-timing file-based content and intelligently adjusting the running time of shows and segments. It utilizes new time compression algorithms that deliver superior quality and faster turn-around times. Running on the Vantage media-processing platform and new Lightspeed K80 Server, Tempo is easy to use and offers all of the benefits of the industry's leading workflow management and transcoding system.
Tempo is a product that returns a substantial ROI by providing the ability to increase advertising avails throughout the day. Tempo will be particularly interesting for companies who are working with content from other regions of the world where the ad timing is different than their current format.
Lightspeed & Vantage combine for intelligent multi-platform distribution
As today’s file-based workflows expand to accommodate new processes and delivery to multiple platforms such as traditional TV, Web and mobile devices, they inevitably require additional processing power. The new Lightspeed K80 Serveroffers significant speed and productivity improvements over previous Lightspeed® Servers for products built on the Vantage media processing platform. The latest GPU/CPU acceleration technologies are utilized to boost video processing and H.264 encoding speeds. This means fewer nodes are required to process more files in less time – allowing users to save time and be more productive. Housed in a high-density 1 RU (rack unit) server, the Lightspeed K80 also reduces space, electrical and thermal requirements
Also built on the Vantage platform, Telestream’s Post Producer file-based content assembly software system addresses the issue of repetitive rendering of different versions of media. Based on user templates and controlled via simple spreadsheet input, Post Producer automatically assembles multi-layer composites from video and graphics - enabling the creation of uniquely-branded versions of the same package for different distribution services. In addition to providing significant cost savings, Post Producer accelerates the versioning process, allowing more jobs to be completed and billed. A new Titler Engine option, powered by NewBlueFX, a leader in creating titles in popular non-linear editor applications, supports the large language versioning requirements in Asia.
Hand-free operation with Vantage camera ingest
A new Vantage Camera Ingest option offers significant time savings for post-production and news users by enabling hands-free batch ingest, processing, time-alignment, and stitching of camera media. These new workflow automation capabilities remove the laborious and time-consuming processes of manually browsing and linking clips, importing and transcoding clips which all take away from editing time. For Avid Interplay environments, multi-resolution clips can be created automatically in Interplay while allowing frame-chase editing. This powerful camera ingest software automates and simplifies camera ingest, transcoding and importing of shots in an editing system, freeing editors to focus on editing, instead of manually finding, importing and stitching clips.
Vantage is known for its tight integration with Avid systems, simplifying and accelerating delivery of file-based media into and out of Avid environments. Sitting at the heart of Avid workflows, Vantage automates media and metadata ingest from incoming video feeds, assets and files to solve users’ most complex transcoding and file-delivery scenarios. Telestream extends this support with new cost savings for Avid users. Previously an expensive option, Send-to-Playback is now offered in all Vantage transcoders at no cost. Export from Vantage into stand-alone Media Composer, which previously required a higher-priced Vantage Pro Connect model plus an Avid option, is now offered as a standard feature on Vantage Transcode Pro.
Telestream also announced that Singapore-based broadcast IT specialist, Techtel (S.E. Asia) is creating a demonstration facility to showcase the capabilities of its new Tempo system and Lightspeed K80 Server to local broadcasters and facilities. At Broadcast Asia, Telestream and Techtel will be showcase Tempo and Lightspeed K80 on their joint booth (5J3-03).
“At Broadcast Asia, we will show visitors how Telestream can help them build new and significant revenue streams within their broadcast operations,” said George Boath, VP of International Sales, Enterprise Products at Telestream. “IP-based business solutions have been a focus for us over many years and now we can demonstrate how Telestream can make the difference in many different sizes and scales of broadcast and electronic media facility.”
VidiGo’s R&D lab demonstrated the first streaming multi-viewers and streaming controlled User Interfaces of their software based live TV production workflow, called VidiGo Live. With extremely low latency, live remote production now becomes a reality. This new, breakthrough technology will be a game changer in Outside Broadcast, regional television networks and the registration of sport events.
The technology is quite similar to the latest innovations in the gaming industry, like for instance the OnLive Game Service, just acquired by Sony. VidiGo developed a similar technology, optimized for the demanding broadcast industry. VidiGo created streaming proxy’s with full control over latency, bandwidth usage and image quality, creating a workflow that is really suitable for TV production.
“Now we have both the visual feedback from the cameras fully streaming and the UI streaming, we can really say we have created the first Cloud Service in live TV production.” Said Peter IJkhout – CTO VidiGo. “ I am convinced that this will create a complete mind shift in TV production, especially in the mid-end market. If I were responsible for production, I would not invest in a new OB Van anymore. That really comes to an end real quickly. ”
At IBC 2015 in Amsterdam, the most important convention in the industry, VidiGo will launch world’s first Cloud Based Live production workflow.
Lightspeed K80 Server takes advantage of the latest GPU/CPU acceleration technologies to increase speed and productivity for Vantage software-enabled media processing platform products
Nevada City, Calif., April 13, 2015 – Telestream®, the leading provider of video transcoding and workflow automation solutions, today announced a new Lightspeed® Server model. Lightspeed K80 Server utilizes cutting-edge technologies from NVidia and Intel to further boost video processing and H.264 encoding speeds for its Vantage® software-enabled media processing platform products.
"We’re very excited to announce the next generation of Lightspeed Servers " said Paul Turner, VP of Enterprise Product Management at Telestream. "Today’s file-based workflows are evolving. As they expand to accommodate new processes and to enable delivery to multiple platforms such as traditional TV, Web and mobile devices, they inevitably require additional processing power. The Lightspeed K80 server raises the bar for media processing, offering major gains in processing speed – in many cases 5x or more improvement over CPU speeds – without compromising the quality of the processed media."
The Lightspeed K80 Server, with the latest technologies from NVidia and Intel, offers significant productivity improvements over the previous Lightspeed Servers. The combination of NVidia K80 GPU technology coupled with twin 12-core CPUs provides cutting-edge speed. 2 TB of high-performance media storage is also included. The K80 server supports Vantage version 6.2 or later.
Lightspeed Server provides high-density transcoding and video processing in an efficient, 1 RU (rack unit) server with minimal space, electrical and thermal footprint requirements. As a part of the Vantage product family, Lightspeed Server can be used alone, clustered to increase capacity or added to an existing Vantage ecosystem.
Exclusive Lightspeed® technology accelerates Telestream’s award-winning H.264 transcoding and video processing, including image scaling, deinterlacing, frame rate conversion, motion vector calculation, compositing and other compute-intensive tasks for Vantage products.
Lightspeed K80 Server will be available mid-May from Telestream’s worldwide network of direct enterprise sales and resellers. For more information about Telestream, visit www.telestream.net.
––More than 60 cutting-edge features elevate TriCaster productions to new heights without additional equipment purchases ––
LAS VEGAS, NAB BOOTH #SL3312 , April 12, 2015––NewTek ™ today introduced TriCaster™ Advanced Edition, an option available for TriCaster Mini through TriCaster 8000, capable of elevating productions to new heights of connectivity, creativity, and efficiency. More than 60 new major capabilities and enhancements in TriCaster Advanced Edition help multiply audiences, streamline repetitive tasks, and make productions more riveting in an ever-more-connected world.
Automated real-time data-driven graphics, new IP workflows, advanced automation, multi-platform streaming, social and web publishing, terrific in-show replay features, enhanced multimedia mixing, sophisticated production elements and more will transform everyday productions into state-of-the-art viewing, in addition to the incredible functionality already provided by TriCaster. With TriCaster Advanced Edition, producers can create more masterful multi-camera video programming without needing to invest in multiple devices or additional systems.
NewTek will be demonstrating TriCaster Advanced Edition at NAB booth #SL3312 from April 13-16.
“Any TriCaster is an extremely powerful, innovative, and cost-effective tool for creative producers”, said Dr. Andrew Cross, president and CTO of NewTek. “With the introduction of TriCaster Advanced Edition, we have taken things to a whole new level for those who need to simplify or automate complex workflows, design innovative outside-the-box solutions to creative problems, or who just demand the very best of the best.”
TriCaster Advanced Edition: Powerful Features for Current TriCaster Models
As the expectations and demands of audiences and sponsors alike rise, producers want to increase both the competitive and creative advantages they offer. Raising the bar in their productions would normally require considerably more expense, space, and often additional crew. TriCaster Advanced Edition brings the same production benefits, without the extra overhead.
TriCaster Advanced Edition software adds these breakthrough capabilities and more:
Automated data-driven graphics
- Easily convert raw data and meta-data from both internal and external sources effortlessly and accurately into production-ready graphics in real-time using DataLink
- Retrieve add update sports stats, election results, weather updates, social media feeds, sales reports, etc., automatically or on-demand
Multiple Live Streams & IP Workflows
- Live stream to multiple platforms and services simultaneously with higher-quality video
- Direct integration with Microsoft Azure, YouTube Live, Twitch and more
- Supports fully integrated audio through Dante Virtual Soundcard networking from Audinate on every audio input
- Display tally information from connected systems
- Access production resources directly from a web-browser on almost any platform
Sophisticated Multimedia Mixing
- Add transitions with embedded full color overlays and sound between playlist media, and combine real-time, slow-mo, and fast-mo with per-clip playback speed settings
- Transition backward and forward in the playlist for presentations with ease
- Faster, easier, real-time clip editing right in the DDR, including active recordings
- Advanced audio integration and improved and fine-tuned sound mixing, external audio integration, precise audio levels, and monitoring
Boundless Creative Expression
- Add dimension to virtual set scenes with Augmented Reality options for KEY layers
- Design and add elegant borders and shadows to make bordered, editable overlays, backgrounds, and custom multi- box effects
- Full motion pre-visualization tools provide animated transition and effect previews before they are taken live
Smart Studio Too
- Intelligent M/Es automatically configure themselves for Mix or Effect operations
- Optionally enable automatic adjustments to input color characteristics, matching to a specific camera or approximating the settings of all incoming signals
- A new Blue Only option complements integrated scopes and extensive proc amp features
- SDI Auto-Detect eliminates the need to configure connections
- Automatically update switcher input names to router input names
- Capture and replay highlights with on-screen controls and fully configurable replay settings, including colorful custom in and out wipes with sound effects.
Custom, automated control
- Create and store elaborate or simple sequences triggered by a sound level, media playback state, or any switcher action
- Pause macros: trigger a macro sequence, stop on command, then resume when manually cued
- Publish media to multiple user accounts on the same social network simultaneously
- Publish content to the world's largest professional network -- LinkedIn
- Enhanced image processing including LiveSet rendering and scaling
- TransWarp 2 allows warping and transformations for incoming and outgoing video scenes.
Flexible, intuitive workflows
- Custom configured settings, calibrations and selections make setup far more precise and standardized to individual way of working
TriCaster Advanced Edition is compatible with TriCaster 8000, TriCaster 860, TriCaster 460, TriCaster 410 and TriCaster Mini.
London, UK (April 2nd, 2015). SIENNA today announced a new release of the the Sienna Media
System which adds deep integration with NewTek TriCaster multi-camera video production
systems for automated production control.
Sienna's extensive TriCaster integration brings full automated production control within the reachof any news or sports broadcaster. Sienna forms a sophisticated media asset management, edit integration and automation layer between TriCaster and MOS newsroom systems including ENPS,Inception, iNews, Octopus, and OpenMedia. With the NCS, producers can prepare a verycomplex news bulletin, including packages, vision mixer operations, virtual set camera moves,audio mixing, and on screen graphics. This rundown is then driven step by step in the SiennaAutomationX live-assist system controlling TriCaster.
“Sienna and TriCaster integration is a tectonic shift in the News industry, delivering fully
automated production control with a price point an order of magnitude less than traditional
systems.” said Mark Gilbert, CTO: Gallery SIENNA. “Delivering MOS driven automation of
Video, Audio, Vision and Audio mixer control, graphics and camera moves, Sienna unlocks
the true potential of TriCaster for sophisticated live news bulletins”
The new integration supports:
TriCaster 8000, TriCaster 860, TriCaster 460, TriCaster 410 & TriCaster Mini.
The combined Sienna + TriCaster solution will be shown at the NAB exhibition in Las Vegas,
starting 13th April at the following locations:
EMC Isilon (NAB booth SL8011) and AP/ENPS (NAB booth SL7606)
“We’re excited to welcome Sienna into the NewTek Developer Network. This combination
of technologies provides newsrooms with a powerful alternative to expensive traditional
automation systems and greater freedom to focus on telling the news” said Michael
Kornet, executive vice president of Business Development for NewTek.
Sienna’s TriCaster integration is available today, from Approved Sienna Systems Integrators allover the world. For more information, visit http://sienna.tv/tricaster.html
Archimedia today announced that HDMI 2.0 outputs are now a standard feature of Atlas 4K/UHD and Atlas Extreme and will be included in all future 4K/UHD and Extreme appliances. Now all media professionals from all facets of the media and entertainment business — from broadcasting to filmmaking, quality control to archiving — can reap the benefits of the long-awaited, new HDMI 2.0 interface through Archimedia's reference appliances.
"Matching the media, the player, and the displays with the most appropriate interfaces is the key to working with 4K and UHD media. All media professionals are thinking about the right ways to use modern displays that aren't SDI-based, so HDMI 2.0 has been highly anticipated," said Josef Marc, Archimedia's chief marketing officer. "HDMI 2.0 was announced around the time of IBC2013, and Archimedia has been watching its availability, quality, and adoption closely ever since. Now we're among the first to make it available so that our customers can benefit from the improved picture quality it offers over HDMI 1.4, especially for 4K cinema and UHD formats."
Now that HDMI 2.0 is included in Atlas 4K/UHD and Atlas Extreme, there is no need for the common practice of using SDI-to-HDMI converters, which represent an additional expense and potential point of failure and also do not support 4K 60p content as Atlas 4K/UHD does. Customers can view up to 4K 60p and UHD 60p content on HDMI 2.0-capable 4K projectors and UHDTVs directly using their HDMI 2.0 inputs, with no conversion necessary.
As a companion to the HDMI 2.0 hardware upgrade, Archimedia is offering a free software upgrade that adds even more power to Atlas 4K/UHD and Atlas Extreme. For example, Atlas now sports a new playlist feature that lets users queue up any number of media files — including video, audio, captions, and subtitles — in any mix of different formats, and Atlas will play them sequentially. This feature is especially useful in theaters and screening rooms where HDMI 2.0 4K projectors and UHDTVs are now a viable, high-quality alternative to costly 4K/UHD SDI projectors.
HDMI 2.0 is now being built into every Archimedia 4K/UHD and Extreme appliance at no extra cost and is available to order now. Archimedia will demonstrate the appliances and their HDMI 2.0 capabilities at the 2015 NAB Show in booth SL11616.
Archimedia's "Getting Started With Atlas" videos demonstrate the features that a professional media worker needs to support UHD in an HD world. The four-minute version is available at http://www.archimediatech.com/#!getting-started-with-atlas-video/c24g4, and a 17-minute version with chapter links is available at https://www.youtube.com/watch?v=yV5gejK4TFY.
Nevada City, Calif., March 24, 2015 – Telestream®, the leading provider of digital video tools and workflow solutions today announced Tempo™, a new time adjustment solution for re-timing file-based content and intelligently adjusting the running time of shows and segments. Showcased for the first time at NAB 2015 (booth SL3305) Tempo utilizes new time compression algorithms that deliver superior quality and faster turn-around times. Running on the Vantage media-processing platform, Tempo is easy to use and offers all of the benefits of the industry's leading workflow management and transcoding system.
"For content owners and distributors, adjusting the run time is important as it creates additional revenue opportunities and decreases distribution costs," explains Shawn Carnahan, Telestream's CTO.
Tempo uses new methods of media analysis. It intelligently interpolates the desired time change over the duration of the content in a way that produces no noticeable visual or audible artifacts. It can adjust an existing asset’s running time from 1% to 10% without any perceived loss of video or audio quality. Tempo also has the ability to re-time the complete asset, including video, audio, and captions, offering unmatched quality that is consistent with stringent broadcast and network-level requirements.
Tempo is a product that returns a substantial ROI by providing the ability to increase advertising avails throughout the day. Tempo will be particularly interesting for companies who are working with content from other eras or other regions of the world where the ad timing is different than their current format.
"Syndicated content duration from the 1950’s through the 1970’s was longer than the typical syndicated content from the modern broadcast era. This presents problems in fitting these longer length programs into current ad-block alignments. Tempo is an ideal solution for aligning the timing of this content," says Carnahan.
Tempo runs on the Vantage media processing platform and Lightspeed Server, providing unparalleled quality of media assets. Since it is built on the flexible Vantage service oriented architecture, Tempo can be seamlessly integrated with other Vantage or third-party systems to create a powerful automated workflow – all under unified system control. Tempo can be controlled through a special Vantage Portal or controlled in an automated fashion.
Available for purchase in Q2-2015, Tempo will be sold as a turnkey system that includes Tempo software running on the latest Vantage media processing platform and Telestream Lightspeed Server hardware.
More information is available at www.telestream.net.
LONDON — March 10, 2015 — Forbidden, makers of the market-leading professional video editing software, Forscene, have announced that the world’s largest independent distributor of sports programming, IMG, have licensed the use of Forscene for all of IMG’s digital rights channels in 2015. Under the agreement, IMG will use Forscene to edit and distribute sports highlight video content from the Forscene platform.
The contract was awarded after a comprehensive evaluation process during which Forscene was tested ingesting multiple concurrent live SDI feeds, editing highlights packages, conforming edits that included client-specified metadata, and publishing to the IMG content delivery network. IMG’s original brief was for a fast-turnaround subclipping and sharing solution but, after testing Forscene, the project scope was expanded to include highlights editing and packaging.
“We’re thrilled that IMG has chosen Forscene for its digital rights sports video editing and distribution needs,” said Jason Cowan, director of business development at Forbidden. “Licencing Forscene to such an important sports brand is a great start to 2015 and we look forward to growing the relationship as IMG signs additional channels in the coming months.”
IMG distributes over 20,000 hours of content to major global broadcasters annually. This content originates from more than 200 clients and events including Wimbledon, the Australian Open, the ATP Masters Series, the R&A (governing body and organiser of The Open Championship), International Rugby Board (IRB), MotoGP, the National Football League (NFL), and the International Volleyball Federation (FIVB). IMG operates from over 30 offices worldwide and has daily exchanges with over 4,000 key media contacts. IMG distributes across all forms of media including TV, audio, fixed media, inflight and closed circuit, broadband, and mobile. IMG also maintains the world’s largest sports archive with more than 250,000 hours of footage and is partner in three leading joint ventures — Sports News Television, European Tour Productions and Asian Tour Media.
“My team tested a number of potential market solutions before selecting Forscene,” said Brian Leonard, IMG lead live engineer. “We were impressed with the range of features Forscene offers within a user-friendly interface, their competitive annual pricing model, and their fantastic support.”
GRASS VALLEY, CA – Ensemble Designs, manufacturer of Video and Audio Routing, Processing, Display, and Effects Systems, announces the NAB 2015 debut of its NXT 450 Clean Streaming Router.
The NXT 450 combines traditional SD/HD SDI inputs and outputs with high performance H.264 (MPEG-4) encoding and decoding. The result is an integrated solution that bridges between baseband and streaming video formats. Baseband (SDI) sources are routed through frame-synchronizing Clean Switches before being passed to the built-in Encoder. Both IPTV (Unicast or Multicast) and DVB-ASI outputs are simultaneously available.
Control over the switching and configuration of the NXT 450 is available from the front panel, through web, and serial interfaces. The web interface provides operators with live thumbnail views of all of the connected sources.
Decoding of incoming IPTV and ASI signals are provided independently of the Encoding functions. The Decoder output can be switched to any of the outputs and integrated with all of the other connected sources.
The flexibility and choice of signal types is enhanced by two SFP interfaces which can provide fiber, HDMI, analog, or additional SDI connections.
At only 1/3 of a rack unit, the NXT 450 offers an unprecedented level of feature integration in a remarkably small package. This makes it a great choice for portable systems, News trucks and helicopters, remote studios, and distance backhaul.
With its new HyperSpace technology, GB Labs brings broadcasters and post facilities a next generation storage technology for IBC 2014.
HyperSpace uses a unique, ground-breaking SSD enhancement technology to accelerate the Space tier 1 HDD NAS system to unbelievable levels of performance. This provides users the capacity of the HDD range with the ultra-high data rates that the company’s SSD range can provide, at an incredible price point.
Ben Pearce, Sales & Marketing Director of GB Labs remarked:
“Many of our customers require large capacities - up to 1.7PB - and very high performance for demanding media applications and large workgroups. Our new Space HDD platform has fulfilled these needs for most clients. However certain deployments require DPX image sequence capabilities or very large HD stream counts for concurrent editing, transcoding and rendering. The random access capabilities of HyperSpace are ideally suited to these environments.”
HyperSpace’s SSD hardware and control software combine to preserve the life of the disks and intelligently manage the way the system uses its resources. Unlike the earlier generation of hybrid HDD / SSD disk systems that were designed for general IT deployments, HyperSpace is optimized for heavy duty usage in media environments. The GB Labs system incorporates entirely new technology which easily outperforms the offerings of existing hybrid storage manufacturers, in terms of real-world media usage and long term reliability.
The latest Space HDD platform, announced at NAB this year, will greatly benefit from the ability to connect the low-profile rack-mounted HyperSpace. Available in three different capacities, the system will dramatically improve the dynamics of the ‘Space’ HDD storage solution.
The Space platform can already scale its performance significantly using additional RAID controllers and more ‘Space EX’ units. The new HyperSpace unit will improve performance even further regardless of the scale of the original configuration. The HyperSpace-enabled system can be expanded dynamically in the same way as every other Space and archive storage unit.
AMSTERDAM – VidiGo and Premium Partner Techtel Group are about to conquer the Asian market and will demonstrate their revolutionary IT-based solutions for live production at the Broadcast Asia Show in Singapore.
VidiGo is the hottest news in the broadcast industry bringing innovative and intuitive software based workflows for live TV production in a world still dominated by hardware. VidiGo has a strong position in Studio Automation (news & current affairs) and is market leader in Visual Radio. In the last few years VidiGo has built a successful installed base of users in the broadcast industry in Europe and the USA and is now expanding to Asia.
“We are very happy that we found a strong partner in Techtel. They have a very good reputation and strong network in the Asian market. But even more important is that they really embrace our vision and understand the shift to IT based solutions that is happening right now. It is not always easy in this industry to find partners that are able to bridge the gab between software technology and traditional broadcast workflows.” Said Reinout Lempers COO of VidiGo. “Our red pants crew really looks forward to entering this interesting and growing part of the world together with Techtel.”
David Elsmore, Managing Director at Techtel commented: “We met VidiGo last IBC and we were fascinated by their technology and what they have realized in Europe. Building a new technology is one thing, but creating a successful installed base with happy users in this demanding industry is a complete different ball game. VidiGo realized both, which gave us all the confidence we needed to bring this new technology to Asia. We see a strong growing need for intuitive workflows and automation in live production, and we believe VidiGo is a perfect fit to this needs.”
For more info please visit Techtel Stand at Broadcast Asia
Stand 5J3-03, 17th-20th June, Marina Bay Sands - Singapore
We believe broadcasting should be fun, easy and cost effective. That’s why we’ve designed the best software solutions for live production in the world. We are defining the future of broadcasting. Our software seamlessly integrates with third party equipment and you can update and upgrade as desired. VidiGo lets you do more with less, but with the same quality end result. Together with our support team we are committed to only have happy users.
Our clients include industry leading broadcasters, commercial and public radio stations, sports arenas and video production companies all around the world. We offer a full portfolio of broadcasting workflows and solutions. Whether you want to fully automate a newscast, create a high quality visual radio experience or boost stadium experiences, we do it all.
More information: www.vidigo.tv
GRASS VALLEY, CALIFORNIA – Ensemble Designs announced today that it will be demonstrating version 2.0 feature sets of its popular Avenue Multiviewer and BrightEye NXT family of compact routers at the Broadcast Asia International Digital Multimedia & Entertainment Technology Exhibition & Conference in Singapore June 17-20, 2014. Both software versions were singled out for awards at NAB this past April. The Ensemble Designs demonstration located on the Techtel stand 5J3-03 will include a comprehensive, hands-on opportunity to explore all of the exciting new features.
The all new Multiviewer Magic 2.0 delivers an offline mode for creating screen layouts, alarms for ensuring signal integrity, new fast authoring tools with eye dropper and paste functions, closed caption support, and countdown clocks. Also new are independent Edit and Control modes, giving users the precise controls needed for their particular jobs.
“The staff setting up and configuring a Multiviewer have very different needs from the day-to-day operators,” said Mondae Hott, Director of Sales for Ensemble Designs. “Engineers and installers are configuring the hardware, setting up alarms and creating screen layouts. Segment producers, floor directors and QC staff need to see a lot of different sources and look at signal quality. We’ve addressed those two types of workflows in Multiviewer Magic 2.0.”
An unlimited number of layouts can be created offline. The layout editing window is so accurate that one can design a layout without looking at the actual Multiviewer video output. Multiple screen layouts can be created, saved, and easily recalled, or applied to other Multiviewer outputs. One Multiviewer screen layout might be for a QC position while others could be created for a control room, remote truck or producer position. New screen layouts can be designed while the Multiviewer hardware is in use.
“Imagine a segment producer of a live show who’s got 20 cameras or sources available and one Avenue Multiviewer output has been allocated to her,” said David Wood, Chief Design Engineer and President at Ensemble Designs. “She can use the Web Control Panel on her iPad to recall any number of preset Multiviewer layouts, easily looking at all of her sources.”
The Avenue Multiviewer’s web control panel can be used on a Mac, PC or tablet, which means the Multiviewer can literally be used from any location. The browser-based control panel provides intuitive controls for selecting and monitoring particular video and audio sources.
“The segment producer may want to verify that the microwave feed is good, for example,” said Mr. Wood. “With an iPad, she can switch the Multiviewer output to Fullscreen to see that specific source.”
The Avenue MV82 is an eight input/two output Multiviewer. All eight sources can be displayed on one screen, or split into two quad splits. The MV164 is a sixteen input/four output Multiviewer. All sixteen sources can be displayed on one screen, or divided between the outputs. Output configurations are extremely flexible, allowing a variable number of sources on the different outputs. The 9480 Multiviewer option can be added to the Avenue Integrated Routing System, providing incredible flexibility, drawing from the sources to the router, and returning Multiviewer outputs directly to the router matrix without tying up valuable routing inputs. This level of integration is unique to the Ensemble system, delivering routing, production switching and Multiviewing, all in a very small footprint.
The BrightEye NXT 2.0 software upgrade, provided at no charge to owners of Ensemble Designs BrightEye NXT Video Routing Switchers, provides dissolves and direct take transitions of HDMI as well as SDI sources, external control via TCP/IP or DB9 connector, and configuration and salvo memory registers.
“Now you can dissolve between HDMI sources, SDI sources, or any combination of SDI and HDMI without glitches, hiccups, or black screens to both HDMI and SDI destinations,” said John Pichitino, Technology Evangelist at Ensemble Designs. “It’s now possible to ‘mix’ a show directly from the field using a box about the size of a club sandwich.”
The software upgrade is available to all BrightEye NXT customers under Ensemble Designs “Five-year hardware, software for life” warranty on all products.
“This sweet little router supports several different external control protocols via either TCP/IP –RG45 or DB9 – RS 232 connection that allows interfacing with automation control,” said Robert Nunez, Sales at Ensemble Designs. “And, recalling router matrix configurations on the fly allows router volleys and quick destination and source reconfiguration – all at the touch of a button.”
“We continue to bring upgrades and advanced features to our customers without additional expense thanks to our ‘software for life’ warranty. This is the second major release of software for the BrightEye NXT this year, and the product continues to improve and provide value. All our customers reap the benefit of our software development,” said Mondae Hott, Director of Sales for Ensemble Designs.
Based in Grass Valley, California and formed in 1989, Ensemble Designs is a leading provider of signal processing and infrastructure products. Customers include CBS News, NASA, Major League Baseball, Olympic Broadcast Organisation, General Atomics, and ESPN.
Based in Grass Valley, California and formed in 1989, Ensemble Designs is a leading provider of signal processing and infrastructure products. Customers include Lockhead, NASA, Major League Baseball, Olympic Broadcast Organisation, General Atomics, and ESPN.
SINGAPORE - Techtel will be demonstrating Haivision's recently announced Makito X Series of encoding and decoding products, now featuring Secure Reliable Transport (SRT) technology at Broadcast Asia 2014 Stand 5J3-03
Haivision's newest Makito X Series of video encoders/decoders are designed for the most demanding encoding applications in enterprise, broadcast and federal/military environments. The Makito X Series delivers higher performance, superior quality video and extremely efficient encoding. Built on Haivision’s field-proven encoding platform, the Makito X brings users a complete point-to-point video distribution solution with improved user experience, reduced costs and increased channel count.
New Secure Reliable Transport Technology
Haivision’s Secure Reliable Transport (SRT) technology is now featured within the Makito X Series of encoding/decoding technology, providing high quality, low cost video transport over the Internet. SRT optimizes video streaming performance across unpredictable Internet networks, where packet loss, jitter, network congestion and bandwidth fluctuations can severely affect the viewing experience. By combining end-to-end security, resiliency and dynamic endpoint adjustment, SRT tames common Internet streaming challenges by detecting network conditions in real-time and adjusts the stream to deliver the highest quality video.
To make an appointment for a demo, kindly contact Din at 63340848 or email to email@example.com.
New capabilities simplify workflows, improve quality, and further reduce production costs for customers.
SAN ANTONIO – NewTek™ today announced major enhancements for its professional line of TriCaster™ multi-camera video production systems. The new features––which further eliminate the need for racks of specialized equipment and multiple operators to produce video content that offers the same professional quality and look of a network-style television broadcast––are now available at no cost to current TriCaster 8000, 860, 460 and 410 model owners.
“Our sole focus at NewTek is to advance the way we help video producers become better at what they do––allowing a single person to produce a show with a TriCaster and bypass the traditional broadcast equipment that typically costs ten times as much,” said Dr. Andrew Cross, chief technology officer for NewTek. “This latest release, which we’re making available at no charge, does just that with a range of refinements and new feature introductions designed to help our customer produce even higher quality shows for their rapidly growing audiences.”
The latest enhancements to the professional family of TriCaster systems include:
· More comprehensive multi-format, multi-channel recording capabilities. All systems, including the TriCaster 410, now offer full ISO recording capabilities and the ability to instantly recall highlights with integrated replay. Users will enjoy the introduction of “virtual genlock”––which ensures frame accuracy between every ISO recording and vastly simplifies the use of recorded media in non-linear editing systems.
· Improved monitoring and content viewing. All systems now give producers significant monitoring flexibility with full support for four VGA outputs, including dual projector configurations and more. Each display port supports an independently selectable output signal and increases choices for multi-screen monitoring and output. Multi-view displays are also fully configurable for more flexible monitoring, workspace customization and overlay marking selection.
· Improved interoperability with 3Play integrated sports production systems. When used together, TriCaster and 3Play systems now deliver integrated performance unlike any other live production switcher and sports production system on the market. Operators can take advantage of deep cross-platform integration, reciprocal commands and automation for remote operation of specific functions that simplify complex, multi-system productions.
· Broad integration with third-party products. Customers working in facilities or larger-scale production environments now have access to a vast ecosystem of workflows with other industry-leading products, such as networked shared-storage, full Vizrt Trio graphics systems, broad GPI support, and more. Direct support for products from 50 different vendors offers the most complete workflow choices of any live video production system.
· Streamlined control of operational commands. Automatic media retrieval further helps operators by automatically locating and populating session media, even when drive settings have changed—virtually eliminating the time spent searching for missing media and rebuilding sessions.
· Enhanced visual capabilities. Using the new advanced rendering engine that is optimized for processing image sampling, downscaling and warping, producers will experience higher-quality video images in shorter amounts of time. New Photoshop blending modes allow users to combine mix/effect layers for more sophisticated compositing, new visual effects, and higher production value.
To view the new capabilities in detail, customers can visit www.newtek.com, select a product model and choose the “New In” tab.
Visit Techtel Stand 5J3-03 at Broadcast Asia 2014 for a demonstration of NewTek TriCaster!